An Element of Art That Is the Path of Moving Point Through Space

The elements of art are components or parts of a piece of work of art that tin be isolated and defined. They are the building blocks used to create a work of art.

The listing beneath describes each chemical element of art. Learn nearly the principles of design hither.

Download a educatee handout containing a list of the elements of art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created by a point moving in space. It is 1-dimensional and can vary in width, direction, and length. Lines often define the edges of a form. Lines can be horizontal, vertical, or diagonal, directly or curved, thick or thin. They lead your eye around the limerick and can communicate information through their grapheme and direction.

Horizontal lines advise a feeling of residue or tranquility because objects parallel to the world are at rest. In this landscape, horizontal lines also assistance give a sense of space. The lines delineate sections of the landscape, which recede into space. They too imply continuation of the mural across the picture plane to the left and right.

Vertical lines oft communicate a sense of top because they are perpendicular to the earth, extending upwards toward the sky. In this church interior, vertical lines suggest spirituality, rising beyond human being reach toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of movement. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either near to autumn or are already in motion. The angles of the ship and the rocks on the shore convey a feeling of movement or speed in this stormy harbor scene.

The curve of a line tin convey energy. Soft, shallow curves recall the curves of the human trunk and frequently take a pleasing, sensual quality and a softening effect on the composition. The edge of the pool in this photograph gently leads the eye to the sculptures on the horizon.

Shape and class

Shape and form define objects in space. Shapes take two dimensions–peak and width–and are usually defined past lines. Forms be in three dimensions, with height, width, and depth.

Shape has only height and width. Shape is normally, though not ever, divers by line, which can provide its contour. In this paradigm, rectangles and ovals dominate the composition. They describe the architectural details for an illusionist ceiling fresco.

Form has depth equally well as width and acme. 3-dimensional form is the footing of sculpture, furniture, and decorative arts. Three-dimensional forms tin be seen from more than than 1 side, such as this sculpture of a rearing horse.

Geometric shapes and forms include mathematical, named shapes such as squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are ofttimes human-made. However, many natural forms also have geometric shapes. This cabinet is decorated with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are often found in nature, simply human-made shapes tin can also imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Space

Real space is three-dimensional. Space in a work of art refers to a feeling of depth or three dimensions. It can besides refer to the creative person's apply of the area within the picture airplane. The area around the chief objects in a work of fine art is known equally negative space, while the space occupied by the primary objects is known equally positive infinite.

Positive and negative space
The human relationship of positive to negative infinite can greatly impact the touch of a work of art. In this drawing, the human being and his shadow occupy the positive space, while the white infinite surrounding him is the negative space. The disproportionate amount of negative space accentuates the figure's vulnerability and isolation.

Three-dimensional infinite
The perfect illusion of three-dimensional infinite in a 2-dimensional work of art is something that many artists, such as Pieter Saenredam, labored to achieve. The illusion of space is achieved through perspective drawing techniques and shading.

Color

Light reflected off objects. Color has three main characteristics: hue (red, green, bluish, etc.), value (how light or dark it is), and intensity (how bright or dull it is). Colors can exist described equally warm (cherry, yellowish) or cool (blue, greyness), depending on which end of the color spectrum they autumn.

Value describes the brightness of color. Artists use color value to create different moods. Dark colors in a composition suggest a lack of lite, as in a nighttime or interior scene. Dark colors tin can ofttimes convey a sense of mystery or foreboding.

Light colors often describe a calorie-free source or lite reflected within the composition. In this painting, the night colors suggest a night or interior scene. The artist used light colors to describe the light created by the candle flame.

Intensity describes the purity or strength of a colour. Bright colors are undiluted and are oft associated with positive energy and heightened emotions. Dull colors have been diluted past mixing with other colors and create a sedate or serious mood. In this image the artist captured both the seriousness and the joy of the scene with the irksome gray stone interior and the bright red drape.

Texture

The surface quality of an object that we sense through bear on. All objects have a physical texture. Artists tin can likewise convey texture visually in two dimensions.

In a two-dimensional piece of work of fine art, texture gives a visual sense of how an object depicted would feel in real life if touched: difficult, soft, rough, smooth, hairy, leathery, precipitous, etc. In three-dimensional works, artists use actual texture to add together a tactile quality to the piece of work.

Texture depicted in ii-dimensions
Artists use colour, line, and shading to imply textures. In this painting, the man'southward robe is painted to simulate silk. The ability to assuredly portray cloth of unlike types was one of the marks of a great painter during the 17th century.

Surface texture
The surface of this writing desk-bound is metallic and hard. The hard surface is functional for an object that would take been used for writing. The smooth surface of the writing desk reflects light, adding sparkle to this article of furniture.

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Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

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